The Field Recording Show from 13th December is available to listen again here The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti. This episode is our second artist showcase edition. We chat with Jake Muir, Claire Rousay and Bethan Kellough about their approaches […]
I am delighted to be featured in Sunday’s artist showcase edition of The Field Recording Show, alongside Claire Rousay and Jake Muir. Listen in on Sunday 13th December, 8pm GMT on Resonance Extra.
All 84 contributions to the freq_wave project are now online in one mixer – play here
Particle Count is a compilation of field recordings from areas of the US west coast affected by the recent wildfires, curated by Ian Wellman and released on Room40. It releases 2nd October 2020 and all proceeds benefit wildfire relief organisations.
Access the mixer for trajectory 1 HERE A freq_wave is a rogue wave: unpredictable, sudden and impacting with tremendous force. “freq_wave: seven seas” begins 23rd May 2020 with the first oceanic trajectory featuring the work of 12 sound artists and artist groups united in a monster wave to bring oceanic creativity to the fore. The first in […]
“Lines of Flight” is a new composition made in lockdown in Los Angeles, during April 2020. Based on field recordings from Death Valley in June 2019. It is available from May 4th exclusively as part of the subscription to Touch: Isolation – a response by Touch to the current Coronavirus situation and its impact on […]
Mix contributed to Sendspaace on NTS radio, broadcast on 3rd May and archived HERE. The mix travels through music via a selection of my field recordings. Featuring music from Yair Elazar Glotman & Mats Erlandsson, Catriona McKay and Chris Stout, Anne Müller, Claire M Singer, Roly Porter, Rafael Anton Irisarri & Siavash Amini, Chris Watson, […]
“Beyond the Mortal Eye” installation selected for Sound Scene 2020 “UnScene”, Smithsonian’s Hirshhorn Museum and Sculpture Garden
The sound installation “Beyond the Mortal Eye” will be included in the program for Sound Scene 2020 “UnScene”, at the Smithsonian’s Hirshhorn Museum and Sculpture Garden, details below and on the website. SOUND SCENE 2020 “UnScene”An interactive art exploration of the sounds we miss, the invisible, internaland not-yet-amplified elements of our world (and other worlds). […]
Excited to be selected as Artist-in-Residence at Crater Lake National Park for Fall 2020. I will spend two weeks in September exploring the Park and making recordings for a work to be produced later in the year. I will also lead a public listening session during the residency, more details to come…
Presenting an installation of field recordings and a new ambisonic composition at Coaxial in LA next Monday, 24th February. The installation will play from doors open (7.30pm) to the start of the program, which features my short new work “From Antiquity”, before performances from Sublamp and Precious Child. DOORS AT 7:30p, SHOW AT 8p$5-15 SLIDING […]
Place Language, a compilation of 28 different artists’ works inspired by Robert MacFarlane’s book Landmarks, is out now on Bandcamp. It includes “Black-east from the Crow” – a new work made for this project, and all proceeds go to War Child UK, helping children displaced by conflict. Read more about the project on the Bandcamp […]
Listen again to The Field Recording Show episode 3, featuring interviews with Chris Watson and Polly Stanton, and a new short piece entitled ‘Dunes’, based on recordings from Eureka Valley. Dunes The Eureka Dunes in California are one of about 40 sites around the world where the sand dunes ‘sing’ or produce a resonating tone, […]
Episode 3 of The Field Recording Show airs on Resonance Extra on Sunday 8th September, and features a new short work entitled Dunes.
Excited to announce that I will be performing live for A Night of 100 Solos, the largest Merce Cunningham “Event” ever staged, taking place at BAM in New York, CAP UCLA in Los Angeles and Barbican Centre in London on April 16, 2019. I will be taking part in the UCLA production, staged by Andrea […]
WOLAKOTA by Tim Sessler features two tracks from Aven – “Low” and “Vision”. WOLAKOTA from Tim Sessler on Vimeo.
Spheres is nominated in the Special Venue category of the Motion Picture Sound Editors Golden Reel Awards 2019. For full list of nominees click here
The Phantom 52, directed by Geoff Marslett, is showing in Shorts Program 4 at Sundance Film Festival. Loneliness: a trucker who calls out on his CB radio waiting for a reply that never comes. A ghost that haunts the deserted highways. A whale that sings at a frequency no other whale can even hear. Screening […]
From 18th January to 3rd March 2019, Spheres will be installed at the Rockefeller Center in New York. From Rockefeller Center website: Fall into a black hole. Surf on Saturn’s rings. Experience SPHERES, a Virtual Reality journey through the cosmos debuting at Rockefeller Center. In a first-of-its-kind event, this experience will transport you from New York City […]
I will be presenting at GameSoundCon in Los Angeles on 10th October 2018, a talk entitled “Spatial Aesthetics in Immersive Sound-worlds”. For more information, tickets and schedule, go to the GameSoundCon website
In August 2018, Bethan and Robert Kellough were sent to record in the Atacama desert in Chile, on assignment for the New York Times Magazine. A special Voyages issue focussing on destinations chosen for their unique sounds is available now, as a podcast, in print and online.
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