Field Recording

Field recording forms the basis of most of my work and I appreciate any opportunity I get to listen deeply to a particular space and time. I enjoy learning about the world through listening, and seek recording projects that engage with the landscape, environmental change and acoustic ecology.

I have previously made ambisonic recordings for feature film, and contributed to the New York Times Magazine Voyages issue Listen to the World. My recordings have been used in sculpture and VR experiences, and in various installations and exhibitions programmed online and internationally.

At the Edge of the Boiling Lake