I will be presenting at GameSoundCon in Los Angeles on 10th October 2018, a talk entitled “Spatial Aesthetics in Immersive Sound-worlds”.
For more information, tickets and schedule, go to the GameSoundCon website
I will be presenting at GameSoundCon in Los Angeles on 10th October 2018, a talk entitled “Spatial Aesthetics in Immersive Sound-worlds”.
For more information, tickets and schedule, go to the GameSoundCon website
In August 2018, Bethan and Robert Kellough were sent to record in the Atacama desert in Chile, on assignment for the New York Times Magazine. A special Voyages issue focussing on destinations chosen for their unique sounds is available now, as a podcast, in print and online.
Spheres, a VR series about the music of the cosmos, won the Best VR award at Venice Film Festival. Written and directed by Eliza McNitt, the series was executive produced by Darren Aronofsky, and features narrations by Millie Bobby Brown, Jessica Chastain and Patti Smith.
Production: Protozoa Pictures (Darren Aronofosky, Ari Handel, Dylan Golden), Crimes of Curiosity (Jess Engel), Atlas V (Arnaud Colinart, Fred Volhuer, Pierre Zandrowicz, Antoine Cayrol, Alethea Avramis) / Kaleidoscope (René Pinell, Jill Klekas), Novelab (Gregoire Parain) / Intel
Cinematography: Clément Chériot
Music: Kyle Dixon and Michael Stein
Sound Design: Craig Henighan, Robert Kellough and Bethan Kellough.
VR series Spheres, directed by Eliza McNitt and executive produced by Darren Aronofsky, premieres at Venice Film Festival from 30th August 2018.
Sound design by Craig Henigan, Robert Kellough, Bethan Kellough.
“Aven” is included in Rolling Stone’s 20 Best Avant Albums of 2016.
The commentary discusses the creative practice portfolio submitted for the PhD in Sonic Arts, focussing on the practices explored and developed during the course of the research.
The research investigated the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positioned spatial aesthetics as a key consideration at each stage of the creative process and connected approaches to spatiality in sonic arts practices with contextual considerations drawn from, for example, phenomenological accounts of spatial and sonic experience, human geography, architecture and acoustic ecology.
The commentary can be read here
Bethan Kellough, current artist in residence at USF in Bergen, will talk about sound, space, field recording and creating sonic worlds…
Friday 25th November 2016, at 1400.
Location:
USF Verftet
Room 355 / Entrance E (by the clock)
(third floor).
